Doomers are real males in our culture?
No, they’re real, I’ve seen the evidence.
It took until 2018 for the Doomer to be “formally” represented with the character that appeared on 4chan. Does nobody want to acknowledge that there was at least one recognizable Doomer in the media that far back? Particularly when the comedy in question was hellbent on sending up the culture, as it was then understood?
I became interested when I noticed that present-day Doomer songs seemed to belong, characteristically, to the days of music in the nineties, and the 2000s. I wondered why Doomers would choose music from quite a few years in the past as their signature musical expression.
Frowning Kei refers to Kaguya-sama: Love is War! character Kei Shirogane frowning.
Say, if the Doomer character was age 23 in 2018, would that make him 25 in 2020? Or, on the other hand, is it simply a diminishing statement that there stays a sizable subculture of youthful men? They ain’t always nice boys, not that they’re stupid. Okay, maybe it’s stupid.
1. The interest in being a public drinker with few alternatives in mind hasn’t yet become removed from the beleaguered Doomer. Drink in the evening, drink before bed, a little drink in the morning before work, drink on the transit. To recognize this tell, see who the young man is relating to, signs that the young gentleman is subtly unsociable.
2. Fixation on anything untoward that tends to have a home on the Internet–how the forces of the world conspire, how the culture’s music disrupts the tide on YouTube, how the character emerged on 4chan. Why do they favour such a specific era of music?
3. Taking a narrow view of the interest in them of women and otherwise being unable to relate, possibly because there could be something better around the corner. Generally being jaded of most possibilities of romance. Would he have a chance with Kei Shirogane? Do you have a chance with Kei Shirogane?
4. Insisting on nonchalance and cool in terms of the external image the Doomer projects. I kind of like that. There are many variations on the Doomer character from 4chan. I gave myself such a variation for you, from know your meme. The post received over 30,300 upvotes in /r/animemes in four days. What do you know, it’s Kei Shirogane.
5. Are you really reading Gawker? I’m not sure my content aggregator finds material from the likes of those unapologetic whiners. The Doomer culture is persistent and pervasive, whatever I said in my preamble.
Until the 4chan character, I just thought that was normal. In moments of soaring self-esteem, I reflect that perhaps I was a Doomer, in the days when their music had the sense it was going music. Perhaps not, though.
This week, again, K-Pop, on Twitter, challenged the #WhiteLivesMatter hashtag, effortlessly grabbing it back from the jerks who were intent on siding against BLM. I am completely sympathetic to BLM.
I actually feel envious of K-Pop’s handle on Twitter. I had thought the Twitter minions were often people my age, or maybe a little older than me. I was mistaken.
Love is war.
I’d been content and happy to feel I was representative of Generation X. That’s terrible talk, isn’t it? On the weekend I encountered, via a YouTuber, a global kind of label I hadn’t heard of, which is Xennials, people born at the tail end of Generation X and just as Millenials began to gain prominence.
I didn’t like that. Specialists and media use birth from the late 1970s to the mid-1980s, as late as 1985, as their characterizing range.
I’d assumed I had it nailed as a true Gen X.
23 is a very young age. Heaven help me, if a real Doomer actually reads this, by all means, indulge, but don’t overlook the possibility that you ultimately need some cashflow. At the very least, get to the job you got every day you can.
If Anon suits you, power to you.
My stake in defining myself as Generation X means something to me, though.
Were you going to cosplay?
Frowning Kei Source: