Hi, I just read a fun post dated yesterday that got some people sharing music. It’s prompt words, Above/Below/Between in this case, that are utilized in a music challenge of finding music. The lyrics would contain the prompt words.
The Beach House song Take Care doesn’t meet the criteria of utilizing one of the prompt words, but the lyrics to the song contain the words beside and inside, which are other words that are used to describe object placement. Maybe those two words could be future prompts.
The songwriters are Alex Scally and Victoria Legrand. Looks like it’s connected to the promising film Chemical Hearts.
I follow Fandango on WordPress and he commented in the last hour on the Prepositions of Place post that he would reblog Prepositions of Place. That’s how I caught onto the fun.
Beach House – Take Care (Chemical Hearts)
Stand beside it, we can’t hide the way it makes us glow It’s no good unless it grows, feel this burning, love of mine Deep inside the ever-spinning, tell me does it feel? It’s no good unless it’s real, hillsides burning Wild-eyed turning ’til we’re running from it
I’d take care of you if you ask me to In a year or two, oh oh oh
You say swimming in the lake we’ll come across a snake It is real and then it’s fake, feel its heartbeat Feel what you heat, far so fast it feels too late
I’ll take care of you if you’d ask me to In a year or two, oh oh oh
I’ll take care of you, take care of you That’s true I’ll take care of you, take care of you That’s true I’ll take care of you, take care of you That’s true I’ll take care of you, take care of you That’s true I’ll take care of you, take care of you That’s true I’ll take care of you, take care of you That’s true I’ll take care of you, take care of you That’s true I’ll take care of you, take care of you That’s true I’ll take care of you, take care of you That’s true I’ll take care of you, take care of you That’s true I’ll take care of you, take care of you That’s true
On TV, the soap #EastEnders has brought, to the screen, life in Albert Square, in London, since 1985.
Other than on BBC iPlayer, #EastEnders airs here in my region of the world late-nights on the weekend, months behind its latest broadcast in England.
There are confrontations and there are obstacles. If nothing else, it’s a bit of fun.
Watching EastEnders in October 2019, not long before the thirty-fifth anniversary of the show, I can remember a little how it was watching the thirtieth anniversary, five years ago, when the soap revealed that the Beale girl, Ian’s daughter, had been murdered, a mystery.
What interested me in particular now, to the extent I am saying something about it here, is the going away party for Bex to celebrate her acceptance to Oxford. Bex, before she relented, was a Gothic girl, ranking in the subculture of the disenchanted. I think Bex had interests in high school theatre, and in playing the guitar, as when she did at the Vic.
She is pretty while presenting emotionally adrift. EastEnders characterizes Bex as an intellectual, artsy teen, moody and pointedly smarter than her peers, conflicted.
She performs songs in an earlier episode, taking the stage in the Vic, when she is beginning to take on the role of a neighbourhood talent, a bright artistic girl struggling, given her ability to make waves. What I’m moved to write about is the character’s decision, the night of her party before she goes away to school, her friends and family celebrating her acceptance to Oxford, to pen a suicide note, and to overdose on pills, tears in her eyes, by herself in her bedroom.
Often EastEnders diverges from its responsibilities as a soap, presenting sometimes troubling storylines, while entertaining.
The suggestion that a brilliant, youthful, and gifted character, with circumstance thumping for herself, would settle on the extraordinary choice to end her own life, made me think. Youth suicide is extremely sad, and it perplexes me that Bex would make that decision, bringing hurt on herself, and on everyone who knows and loves her. The song that soundtracks the tragedy for Bex is the Gary Jules version of the Tears for Fears song Mad World, music adding to a sense of despair and confusion that Bex is experiencing.
“The dreams in which I’m dying are the best I’ve ever had,” the song presents lyrically, as Bex drifts into near-death sleep. Time-lapse photography shows the lights going out in the Vic, and the encompassing night sky giving way to a cloudy morning, when Bex may be lying there dead in her bedroom.
Elsewhere in the TV landscape, that tapestry of storytelling that is compelling, the song Mad World has received another place of honour in a TV soundtrack, in another show, in another nation. Maybe strangely, but provocatively, Season 2 of the CW’s Riverdale has likewise presented Mad World.
By Episode 8 of Season 2, the Riverdale character Jughead has risen in the ranks of bikers, the Serpents. Archie and Veronica are presenting Mad World to their friends and family until the tension between them hits a breaking point, and they leave without finishing the song.
The group, a significant number of who are Serpents, are disappointed. Betty thinks fast and takes the stage, picking up where Archie and Veronica stopped. Betty quickly takes Mad World to a different level, assuming the role of dancer and drawing the Serpents in.
Jughead watches with shock, and maybe with interest. With his yearnings to use the Serpents, it isn’t unusual that Betty would in like manner expect another job. Both EastEnders and Riverdale hit big audience numbers, and anyone who sees TV could note a similarity between the two Mad World scenes.
For Bex, it is about an early closure, and for Betty, it is tied in with seeing Jughead order the Serpents. Bex’s mistake in EastEnders reflects a character who feels alone, despairing so much that she decides to take her life.
Perhaps it could even be derived that she knows about Riverdale from TV. EastEnders is set amid reality. The EastEnders characters watch “real world” TV and hear real-world music in the Vic.
Bex, simply, doesn’t deserve death. She is a beautiful, intelligent, talented young woman, for who opportunity is knocking.
I like both shows, but there is a kind of question of how appropriate Bex’s act of self-destruction is.
The Mad World scene in Riverdale could, I see, be haunting, if it is relatable. In EastEnders, the pendulum has swung away from the physical, to become a forebear of doom. Both shows have a sense of appreciation for popular music, when songs present loud and clear.
The haunting going on in these TV episodes has to be executed within the context of plot devices, or else it isn’t effective. It needs to make ideas click for an audience, or it falls short. I think both shows want to present specific circumstances to get viewers feeling haunted.
“I find it kind of funny; I find it kind of sad…” Curious that the song lends itself to drama. You’re welcome to comment and/or follow. Thanks for visiting.