Star Trek identified the concern: “to boldly go where no man has gone before.”
Here are a few specifics on how to be a touch bold.
Don’t worry about your age. While it is more than “just a number,” there isn’t any reason to close door after door because you feel you are too old for an opportunity. Use your judgement about what you can do, but don’t exclude yourself from taking chances when you’d like to because you feel your age is creeping up on you.
If you watch video on YouTube, be sensitive to the reality that the YouTube algorithm provides you with recommendations to keep you watching, as in passively consuming video content. Apply some originality to your searches so that you hear creators who are bolder and less often provide a company line. That said, I have inferred that you should “deep dive” with caution. Looking into the distant past can amuse and give you a relevant sense of nostalgia, but concern yourself with today, and perhaps the past few days, and not with videos from the vaults of yesteryear.
If you are in touch with the pulse of the zeitgeist, perhaps you should venture onto social media that’s less behemoth than services like TikTok and Facebook and Twitter and YouTube (and…). I would caution you not to waste your time because creator messages will get repeats, on the most Earthshaking of the services. But if you are Internet-savvy, be bold and get aboard where you want. Mind some of the imitations will inevitably remain imitations.
Love on when you can. It isn’t easy in 2022 to be as bold as you would like, for I would say the world is getting dystopian. Hang on. It will probably be another rotten year, but 2023 will be another calendar year. Know when to advance and when to pass. It’s a judgement call. Remember a card game analogy: somebody else could play your hand and win.
The video title Startup was added to Netflix in May, a drama series that premiered on September 6, 2016, on Crackle. This summer when I shared some moments of the series with my best friend, I realized that I had missed the best moments of Season 1 and that I needed to restart it on my own to better enjoy it. Startup introduces viewers to a young Stanford graduate with a program code she’s composed that will change the universe of money.
In Startup, computerized money is the fundamental topic of a techno-thrill ride. Startup’s girl finds a banker who sees the potential in her concept, and, without being morally bankrupt like his father, who has laundered, and lost, the funds, this bright handsome banker now has a big investment on the table.
Like father, like son, and he leaves his job, incurring tension between him and his girlfriend, to help make the success of the new startup a reality. Unfortunately, all that money is again stolen. GenCoin is the company the trio has created for themselves, the programmer, the banker, and a street tough.
I enjoyed watching the three main characters make a reality out of a dream by dint of their ingenuity. Netflix describes Startup as a slow-burn, and, truth be told, the positive outcomes that occur in the early scenes of Season 1 are before long superseded by various outrageous difficulties, which, all things considered, would have left the ambushed novices speechless, had any of these occasions occurred.
That they resolve to roll with the punches gives Startup significant interest because the trio keeps making solutions to big, dangerous problems. Season 1 of the show is written in a way that feels mostly believable and also satisfying if you identify with, or are sympathetic to, any of the three young entrepreneurs central to the show.
Google gives me the name of this actor, Adam Brody.
⦁ ‘Startup‘ on Netflix Cast Guide’s: Adam Brody
Adam Brody stars as Nick Talman, an ethically tangled financier who uses messy cash to foster a tech organization
If Season 1 existed as only a limited series, it would be satisfactory in itself, I think, if some expository explanation of what happened after the events, maybe appearing in a few paragraphs of text, to finish the story. To indicate that the startup succeeded and that the trio of players became rich and notorious (in the circle of Big Tech) would have been fine with me. Instead (spoiler), Season 1 ends with an abrupt cliffhanger.
I have also watched Season 2 and I enjoyed how some of the plot threads introduced earlier in the series were explored more fully. Season 2 concludes with a note of glee that is difficult to relay unless you have made a time investment in the reality brief series between Seasons 1 and 2.
I remember my little sister handing me a nice DVD edition of the James Bond 007 film Casino Royale, back in the day, a gift for some occasion (like a birthday or Christmas). We were in my parents’ car, though not, of course, an Aston Martin, like Bond was known to drive.
The summer of 2011, Jun 3, 2011, the movie adaptations of Marvel’s X-Men continued with X-Men First Class. To many fans’ delight, it turned out to be both well-executed and of substantial interest. Film history website IMDb identifies that Jennifer Lawrence is “the most successful actor of her generation” https://www.imdb.com/name/nm2225369/
Beneath is a link to a scene from X-Men First Class.
X-Men: First Class (2011) – Charles Xavier & Raven Darkholme
Jennifer Lawrence in X-Men First Class is Raven. She tackles the question of what it means to be beautiful and what it means to be normal. She is the shapeshifter.
You might say it’s ironic that the name of the mutant team, the name “X-Men,” implies that the X-Men should be male, but Raven ranks among them as an important character who is female. Jennifer Lawrence was the highest-paid actress in the world in 2015 and 2016. Her casting in the film reflects her strengths as an actress, in addition to X-Men First Class’ effectiveness exploring gender, and ever-elusive equality.
In 2019, the next Star Wars film is struggling with a backlash among fans given woes with the previous film in the franchise. The 2019 film I’m referring to is Star Wars Episode IX, coming in after the disastrously written Star Wars Episode VII: The Last Jedi. Star Wars Episode IX has its work out cut out for it.
The Last Jedi Opening Weekend USA box office was $220,009,584, 17 December 2017. The X-Men First Class USA Opening Weekend was $55,101,604, 5 June 2011, twenty-five percent of the former.
While box office returns mean that both films were successful, the Marvel Universe remains hotly anticipated with a trailer for Marvel Avengers Endgame just airing in the Superbowl broadcast yesterday, while Star Wars Episode IX may fail.
Star Wars is suffering some major troubles, with entries like Episode VIII The Last Jedi savaged by fans to who Star Wars is close to the heart.
Solo A Star Wars Story failed financially last year, and an animated television series from Disney, Star Wars Resistance, is arguably receiving relatively little enthusiasm among viewers.
These fans are the “fandom.” In fact, the Star Wars franchise is suffering greatly owing to problems with The Last Jedi, which, while returning an economic gain for Disney, is failing to ignite the same passion in the hearts of Star Wars fans that the original trilogy generated, as did (again, arguably) Episode VII The Force Awakens in 2015.
What Jedi Mind tricks are afoot? I think essentially both X-Men: First Class and Star Wars Episode IX calculatedly use a sense of the past as an aspect of the setting. However, the two movies address gender and gender equality rather differently.
In X-Men First Class, the mutant Raven struggles with her self-image in a very literal sense. Contrast that with The Last Jedi. Here the female Jedi apprentice Rey, Daisy Ridley, is problematic for many viewers of Star Wars in that Rey lacks a distinctive character arc. In other words, she is without a back story that can make sense in viewers’ minds.
Rey’s origins are unknown, but she masters aspects of The Force which were previously established in Star Wars lore as being impossible. Rey’s mentor Luke Skywalker (Mark Hamill) struggled to achieve his status as a Jedi Knight under both Obi-wan Kenobi and Yoda (in the 1977 and 1980 Star Wars films). The late Alec Guinness portrayed Obi-wan Kenobi in the original trilogy and Ewan McGregor was Obi-wan in the prequel trilogy.
This is a link to a jovial Mark Hamill speaking of Daisy Ridley.
Mark Hamill Living Like Yoda Wishing Daisy Ridley Happy Birthday
Like it or not, what’s hot about Star Wars is that the backlash to Last Jedi director Rian Johnson is a compelling drama in its own right. I see it everyday on YouTube.
YouTube channel Geeks + Gamers has taken for itself the responsibility of taking to task the folk at Lucasfilm. To restore the glory to Star Wars, Geeks + Gamers feels Lucasfilm lost this by sacrificing so much of what had been established about Star Wars.
Jeremy at Geeks + Gamers thinks through and through that Lucasfilm is reducing the importance of something special to him and to legions of other fans of Star Wars. Jeremy and many others feel that Lucasfilm is insisting that identity politics control the creative process instead of the requirement for writers to come up with sensible new entries for the sci-fi titan Star Wars.
That said, Star Wars needs success now the way that the X-Men franchise needed a success following X3.
Disney, Lucasfilm and the future of Star Wars are an exciting drama. If you’re interested, and you believe that Star Wars needs to go forward proper, instead of what it’s currently doing, maybe you would like Geeks + Gamers, if you aren’t already watching Jeremy and his friends.
I don’t feel too invested in the backlash, although I think of it virtually every day. Star War Episode IX has a release date in December. Geeks + Gamers don’t exclusively address the situation with Star Wars, but Jeremy’s dismay for Lucasfilm is often-stated, with a commitment to giving subscribers fireballs.
Marvel Avengers Endgame has a release date in April. It’s the sequel to Marvel Avengers Infinity Wars.
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Beneath is a link to a Geeks + Gamers video in which Jeremy names his favorite X-Men titles.