What’s extravagant is an incredible night’s rest, perhaps nine hours to re-energize.
Morning coffee is excellent, typically several cups. Taking a look at my YouTube menu in the morning helps shape my inner world. Watching videos, whether for entertainment, information, music, or an intersection of all these stops (!), is a great way to handle the early hours of the day.
I wouldn’t be satisfied without making time for TV entertainment. I enjoy single episodes like people would watch in the golden age of TV, before home videos and streaming video took over. I like, for example, an episode of Riverdale on the Netflix service, or another series that happens to have my fancy. While I don’t live on Netflix, I often make Netflix a go-to for streaming entertainment.
The BBC soap Eastenders has had a long, rich history going back to 1985, so I like to watch it if I want traditional television. My eighth birthday was that year, a time in life when family and friends are especially important. Since I’m now an adult and more prepared (than an eight-year-old), I appreciate following the stories in Eastenders. My rule of thumb, though, is only one episode per day.
Many days I like to put an hour into Twitter to get a fun peek at people’s hot takes and trending news. I even automate tweets, when topics I am interested in exploring come to light in the hands of capable writers. I occasionally edit the Facebook page for my dad’s cemetery business, which we run together. Sometimes I am specifically required.
A blog hop is a social experience, a little fun if you blog.
About music, to be a famous musician is a powerful fantasy. I regard exciting music or any sort of expert musicianship.
The prompt circle reminded me of the late, great Lou Reed’s song Vicious Circle, on the album Rock and Roll Heart. In 1976, Reed’s first album with Arista Records followed the records he did for RCA after The Velvet Underground ended, and was kind of immediately enjoyable for a casual listener, though Reed seems to flirt again on Rock and Roll Heart with self-destruction, not unlike what a depressed but notable musician can be like. Rock and Roll Heart is the seventh solo studio album by Lou Reed, released in 1976. Heart is the seventh collection by Lou Reed. It was his first for Arista Records after record magnate Clive Davis safeguarded him. There’s a TV interview with Reed in Australia recorded around 1975, just before he made Rock and Roll Heart, where Reed seems unhappy.
Reed tries a joke about the tyrant Adolf Hitler, calling him a great organizer. The interviewer admonishes him. I think Reed was obliquely referring to Andy Warhol, who once managed him as a musician.
Reed is a championed rock guitarist and singer who is seldom rivalled, given the influence of his personality. He is gone, but when I was in college, one long-haired, heavyset history teacher taught us a little about him, calling Reed “the godfather of punk.” In the library, I found a little book about subculture, music subculture in the nineteen seventies, and I put energy into understanding it.
Because of the acclaim of The Velvet Underground, that was after they ceased making music together, as a group, songs of theirs began to be popular.
When in the year 1999 I went into the HMV store in New York City, the international chain of CD shops where you went if you wanted music, in the days when you bought music on physical media, the Velvets were well-advertised, as in giant letters in the store announcing, “The Velvet Underground.” You knew it was their town.
Years before I was born, Lou Reed had a Top 20 hit, contributing to the new popularity of both Reed, and, consequently, the Velvets. The most popular song by Reed is a song I first heard on FM radio, cruising the streets of my town, probably for no particular reason, or for no good reason.
I didn’t know who that singer was, on the radio, until I heard the song again, as though it were still 1972, in some kind of Doctor Who-type parallel universe. I still didn’t know whom it was singing like that, but eventually, a friend of a friend listened to me describe the song, and he knew who it was, given a moment (between thought and reflection).
I was in a circle, then, being a kid in high school, dealing with pressures that are specific to what I think is most kids’ experience. It wasn’t vicious, by the way, just sayin’.
The song Vicious Circle could be about having social pressures, like specific patterns ingrained in you to run up against a wall. The song is less up-tempo than most of the songs on Rock and Roll Heart. I am not sure the better part of Reed’s listeners would embrace music like his, if they didn’t feel, at least from time to time, that the intrigue about the music was coming from a place touched by despair.
There are stories about Lou Reed, when he was the frontman of the Velvets, like that he played Woodstock in ’69, but nobody could hear the sound. I don’t think the Velvets did play Woodstock. They broke up amid tension.
The third and fourth of the Velvets’ records were more straightforward as rock albums than the first and second albums. I believe in 1968 they performed in Hamilton, Ontario, but if so, that was likely the Velvet Underground’s only show in Canada.
Lou Reed’s hit in 1972 includes the B-side Vicious (not Vicious Circle). Four years after that, after Reed was back to being a struggling songwriter, Reed with Vicious Circle was possibly pointing to his choice of making a livelihood as a rock singer, because Vicious Circle points to the song Vicious, and the 45 format itself is circular in shape, music being on vinyl discs, records. There is a hint of weariness in Vicious Circle.
There is a Bowie song, too, with the word circle in its title, and I know there’s a reference to him in the title of Vicious Circle in all likelihood.
Reed had a great sense of humour, I read in college, the Velvets’ drummer Moe Tucker remarking on that about Lou Reed.
Reed expounded on experience in his music, including thoughts about sex and culture. Reed did much of his very best music with the Velvets, who were John Cale, Sterling Morrison, Moe Tucker, and Doug Yule.
Everything Lou Reed did music-wise is very acceptable, I think. The Velvet Underground is a legendary band. Many an amateur rocker knows whom the Velvet Underground are, and get songs like What Goes On, and Sweet Jane, west coast surf type stuff.
I used to wonder what Reed intended for the fate of his music.
I think with Rock and Roll Heart Reed was trying his hand at again being a straightforward rock musician. I would venture to guess that he was a pretty hot musician, trying to move into AM Radio with the record Coney Island Baby, but had simultaneously conveyed the ability to fail with his 1975 noise opus Metal Machine Music.
Metal Machine Music sort of seems easier to take as an experimental ambient noise album, but I take it fans of the artist would have wanted more rock songs, not something altogether weird like Metal Machine Music. Wikipedia says, “In 1979 Reed said ‘Saying ‘I’m a Coney Island baby’ at the end of that song is like saying I haven’t backed off an inch. And don’t you forget it.'”
Reed lived a long life, until October 27, 2013, passing away at the age of 71. When I was In college, I didn’t believe Reed’s image as a street-weary rock musician, compared to who he was. I don’t have any acquaintance with it all, however.
Thanks to Jim Adams for the December 20 word prompt circle.
You’re caught in a vicious circle Surrounded by your so called friends You’re caught in a vicious circle And it looks like it will never end ‘Cause some people think that they like problems And some people think that they don’t And for everybody who says yes There’s somebody who’s staring, saying don’t
You’re caught in a vicious circle Surrounded by your so called friends You’re caught in a vicious circle And it looks like it will never end ‘Cause some people think that it’s nerves And some people think that it’s not And some people think that it’s things that you do And others think that you were cold, when you were hot They think that that is what it was about
In December my brother and his wife and kids gave me an unusual gift, a puzzle celebrating The Beatles’ music on The White Album.
The puzzle is unusual mainly for the fact that the cover of The White Album is entirely the color white, which makes the puzzle an exercise in assembling puzzle pieces all the color white. It is as if the wrong end of a game of chess game came down on you.
I have ten reasons I’m suggesting that success like what The Beatles enjoyed is actually a weak link in terms of what it means for individual success and how it is misleading. Four are presented here.
Suzy Hazelwood MONOPOLY FOR MILLENNIALS MAKES NPCs CRY The YouTube channel Geeks + Gamers fascinates me. When Jeremy announced that he had fallen prey to a phishing spoof six weeks ago, I wanted to describe the problem in this post. Jeremy was distracted at the moment and made a rookie error, surrendering control of Geeks + Gamers for seventeen minutes until he could get it back in order. A second oversight occurred, when Jeremy neglected to secure his Google AdSense funding for the channel after the spoof. When he realized that an entire month’s worth of monies designated for Geeks + Gamers was stolen, he finally revealed what happened: My YouTube Channel Was Hacked, Money Lost – Learn From My Mistakes I’d been paying attention to Geeks + Gamers because I feel it protests and dissects conventional scholar on media. The Geeks + Gamers team typically tackle major film projects like the DC universe on film, or more often the Disney Star Wars trilogy, as though the success, usually financial, of studio film output speaks to the conclusion that if a film is not fun, that if it doesn’t “work” in terms of being appealing to an audience, the film is not so much a radical success as it is a weak link.
It didn’t matter to Jeremy that The Last Jedi is another splendid blockbuster in terms of the money it made for Disney; it was to him a complete letdown and something that was a disservice to the favorite films that remind him of his childhood, the Star Wars films. Disney Has Concerns About Star Wars After The Last Jedi It is interesting that while ostensibly the financial success of a film doesn’t mean the film is magical for Jeremy, when it comes to his YouTube channels, Geeks + Gamers and others, it is certainly a problem when a month’s loot is stolen, by cyber-crime means. I wish Jeremy and the other members of Geeks + Gamers hadn’t had to go through that.Halloween with Geeks + Gamers was interesting for the fact that Jeremy argued that very bold criticism of what he does with Geeks + Gamers had been declared, criticism that included the idea that “code words” were being communicated to Geeks + Gamers subscribers that subscribers should launch literal hate and violence at targets which Geeks + Gamers usually defame, a video you can watch here: NPC Star Wars Writer Continues To Lie and Spread False Information Jeremy responded firmly that Geeks + Gamers is in no way is supportive of violent attitudes in any situation, and further that Geeks + Gamers made no attempt to “boycott” the recent Star Wars film Solo, a position I’d heard Jeremy take before in a discussion how Solo ws lacklustre in terms of box office returns.
All this keeps me quite rapt about what this YouTube channel is saying about the Star Wars films–Geeks+ Gamers plays a role in backlash concerning the Rian Johnson Star Wars film The Last Jedi.
For Geeks + Gamers to become a successful YouTube channel, it meant starting from basics and building a subscriber basis and becoming a success, with people watching the videos and comment and so on. If Geeks + Gamers were reviewing music, instead of films, and it was fifty years ago, perhaps they would have spoken about The White Album. Instead, they are speaking out, frequently, about The Last Jedi, in a way which makes it completely clear that they regard Episode VIII of Star Wars as rubbish.When I watched The Last Jedi when it arrived on Netflix, I enjoyed it and even felt moved. The mods of Geeks + Gamers had no such experience. Instead, they despise the film and regale in making that clear rather than taking a positive spin on something that’s an extension to something they loved in childhood.I would guess that Geeks + Gamers take such a broad interest in film criticism that they feel they can succeed with a successful YouTube channel. The idea of success they have is different from the idea of success that’s reflected in something like the fiftieth-anniversary of The White Album, or in the success of the blockbuster The Last Jedi.
The mods of Geeks + Gamers don’t seem to see The Last Jedi as a success at all because they despise it so much. Their YouTube channel extrapolates messages like that Star Wars has been mostly reduced to rubbish, or that the DC comics universe could similarly face a death grip in the cinema. I believe I had misunderstood Geeks + Gamers with my belief that Geeks + Gamers doesn’t desire or see any value in success at the level of the “blockbuster”; instead they expound on problems in entertainment which is compromised by identity politics in the entertainment that they criticize. Now that I understand some more about Jeremy’s point of view, it has me feeling a touch more informed about how identity politics show up in entertainment.
To them, The Last Jedi is a weak link. They wouldn’t aim for that kind of success in their own lives, for example. It is notable, having learned of their misfortune with a phishing spoof, that their success has been compromised by their own position as a good-sized YouTube channel.
It is the same kind of weak link that exists when Geeks + Gamers tackles Star Wars because for all the enthusiasm Mike Zeroh puts into anticipating Star Wars, Mike Zeroh has personally explained that he feels The Last Jedi is a poor effort. Mike Zeroh Vs Rian Johnson… Thank you Rian Again!!!
I was amused by The White Album puzzle game I got from my brother and his family. I am also grateful for the opportunity to share these opportunities. I am glad if you have read this. You’re welcome to “like,” to “follow,” and/or to comment.