Crackle Show Startup Got Me Real Interested in its First Season

The Chicken Soup for the Soul Entertainment video title Startup was added to Netflix in May, and it’s effectively perhaps the most mainstream at present. Pop viewership in March 2021 arrived at its most elevated since the set up of April 2020.

Startup is an American drama series that premiered on September 6, 2016, on Crackle, a streaming platform. Startup introduces viewers to a young Stanford graduate with a program code she’s composed that will change the universe of money.

Photo by Vidsplay on StockSnap

So, another digital currency is on the cusp of coming. The real Bitcoin, I think, was the invention of a programmer so reclusive and mysterious that, while he is spoken of as a legend, had, lucky for him, none of the Startup girl’s problems. Bitcoin’s mysterious maker might be valued at $6 billion — however, individuals actually don’t have a clue what its identity is.

In Startup GenCoin, computerized money, is the fundamental topic of a techno-thrill ride. Startup’s girl finds a money guy in the form of a banker who sees the potential in her concept, and, without being morally bankrupt like his father, who has laundered, and lost, the funds, this bright handsome banker now has a big investment on the table.

Like father, like son, and he leaves his job, incurring tension between him and his girlfriend, to help make the success of the new startup a reality. Unfortunately, all that money is again stolen.

GenCoin is the company the trio has created for themselves, the programmer, the banker, and a street tough. See, 300,000 dollars has the impossible outcome that the man of his word needs to turn into an accomplice, since, we discover, he doesn’t care for the hidden world of the show’s city, Miami, and needs to remove his family from there. The broker meets some unacceptable financial backer, a software engineer who’s actually a rich mean goof, who takes their organization, and soon their whole business, too.

Are they forgiven? 300,000 reasons say they aren’t.

Season 1 is eight episodes long, and while I’m spoiling it here, I enjoyed the optimism I felt watching the three main characters make a reality out of a dream by dint of their ingenuity, and you will probably will as well if you haven’t got into the show already. Netflix describes Startup as a slow-burn, and, truth be told, the positive outcomes that occur in the early scenes of Season 1 are before long superseded by various outrageous difficulties, which, all things considered, would have left the ambushed novices speechless, had any of these occasions occurred without the wide range of a powerful influence for GenCoin.

That they resolve to roll with the punches gives Startup significant interest because the trio keeps making solutions to big, dangerous problems. Season 1 of the show is written in a way that feels mostly believable and also satisfying if you identify with, or are sympathetic to, any of the three young entrepreneurs central to the show.

Photo by YesManPro on StockSnap

I thought Crackle had a strong first season with Startup. While I am watching the second season now, I wonder if it will adhere to a similar outcome, after the conclusion that Season 1 managed, the somewhat hasty cliffhanger that was for me a shade confusing.

Head for San Juan, Puerto Rico… If Crackle hadn’t permitted a renewal, the end of Startup’s first season might have proved frustrating. Likely, the creative team on the show had a pretty clear idea that a hit as big as they had on their hands would return, but I don’t know how anything like that can be taken for granted when there are talented actors at work who have to believe, I think, that they have been part of something good.

Another Netflix title, called The Last Blockbuster, gives soundbites about Blockbuster video rentals lost, now, to Netflix. The Last Blockbuster is about Blockbuster LLC’s last store, in Bend, Oregon.

I guess I might not even be qualified to work at a Blockbuster store, if there was such a thing anymore, because I have questions that an entertainer, inferable from his gifts and great looks, landed an extraordinary role in Startup. Sure, I imagine he gave a perfect audition, marked by a combination of qualities, picky sincerity, intelligence for money, and people skills that keep the character endeared to his business partners.

Google gives me the name of this actor, Adam Brody.

Adam Brody

‘Startup‘ on Netflix Cast Guide’s: Adam Brody

Adam Brody stars as Nick Talman, an ethically tangled financier who uses messy cash to foster a tech organization

https://decider.com/2021/05/11/startup-cast-on-netflix/#/

Many times when a problem solver with a silver tongue is necessary, compared to computer programming acumen, or street threats, the leadership falls to Brody.

If Season 1 existed as only a limited series, it would be satisfactory in itself, I think, if some expository explanation of what happened after the events, maybe appearing in a few paragraphs of text, to finish the story. To indicate that the startup succeeded and that the trio of players became rich and notorious (in the circle of Big Tech) would have been fine with me. Instead (pretty big spoiler), Season 1 ends with an abrupt cliffhanger.

Photo by Matt Moloney on StockSnap

In real life, from time to time I wonder how Gen-Z will do since the world economy is the way that it is. I thinking about how the diversion of the different public economies will be sufficiently large to give roles to, for example, entertainers who can make it in theatre and film and TV.

While not in the cast of Startup, actor Mads Mikkelsen, who in 2006 played Russian spy Le Chiffre in the blockbuster film Casino Royale, said of late during a Casino Royale reunion between Mikkelsen and Daniel Craig that there surely is a ton of contest, which most everyone knows. Good luck making even steps to community theatre.

That is to say, my nephew has made conditional advances as an entertainer, and what I have seen of him on record, I delighted in, and will wish him well should he choose to keep developing as an entertainer. He’s been a brilliant student. I remember my little sister handing me a nice DVD edition of Casino Royale back in the day, a gift for some occasion.

We were in my parents’ car, though not, of course, an Aston Martin.

Casino Royale Car Chase https://www.youtube.com/watch?v=ry8ddLxkGJE

I read the novel when I was a boy. The outcome of that chase is similar to what Bond endures in the novel Casino Royale by the late Ian Fleming.

Mads Mikkelsen plays the vile Kaecilius, on the opposite side of the real world, says Marvel president Kevin Feige: “People Think In Terms Of Good And Evil When Really Time Is The True Enemy Of Us All.”

Daniel Craig, the actor who played James Bond the last fifteen years (i.e. the M.I.6 spy), tried to wave off Mikkelsen’s comment during their reunion, knowing, probably, the importance that great actors are going to continue to be a major part of our world culture. It’s important this goes on. Money and the promise of success are great motivators, but so is quality.

I’m a loner, yet would seldom appreciate watching another TV show. I like Riverdale, though. I am looking forward to the twelfth of August when Riverdale returns.

It was actually a friend’s feedback that encouraged me to accept that the Netflix trailer for Startup might actually be pointing to some pretty decent entertainment. If you didn’t watch Startup in May, you could do worse than to permit yourself time to enjoy it. Many notes it hits are electrifying.

I didn’t think it works that way. Does it work that way? It doesn’t work that way. Could it?

Today has been National Ice Cream Day. Enjoy!

Thanks for visiting. You can like and comment and follow.

https://about.me/patrickcoholan

MCMLXXVI Rock and Roll Heart

It feels like spring is here, this day in May. It’s been a cultural revolution.

Microsoft teases a ‘next generation of Windows’ announcement ‘very soon’

https://www.theverge.com/2021/5/25/22453222/microsoft-windows-next-generation-announcement-sun-valley-build-2021-keynote

One evening, the other day, I’d got to feeling, oddly, like how I did when I was an unfulfilled young person, feeling regret at letting time go, without, you could say, stopping to smell the roses.

Two weeks ago, the YouTube channel for IGN posted the Indiana Jones trailer commemorating forty years since Raiders of the Lost Ark made its premiere in 1981.

#IndianaJones
Darth Vader and the Death Star

It was kind of weird to think about a related film, The Rise of Skywalker, being in theatres an entire year in the past. Things have certainly changed.

Song Lyric Sunday is is a blog hop organized by Jim Adams. For Sunday, December 20, Jim’s prompts include: “circle.”

https://jimadamsauthordotcom.wordpress.com/2020/12/19/the-shape-im-in-2/

A blog hop is a social experience, a little fun if you blog.

About music, to be a famous musician is a powerful fantasy. I regard exciting music or any sort of expert musicianship.

The prompt circle reminded me of the late, great Lou Reed’s song Vicious Circle, on the album Rock and Roll Heart. In 1976, Reed’s first album with Arista Records followed the records he did for RCA after The Velvet Underground ended, and was kind of immediately enjoyable for a casual listener, though Reed seems to flirt again on Rock and Roll Heart with self-destruction, not unlike what a depressed but notable musician can be like. Rock and Roll Heart is the seventh solo studio album by Lou Reed, released in 1976. Heart is the seventh collection by Lou Reed. It was his first for Arista Records after record magnate Clive Davis safeguarded him. There’s a TV interview with Reed in Australia recorded around 1975, just before he made Rock and Roll Heart, where Reed seems unhappy.

Reed tries a joke about the tyrant Adolf Hitler, calling him a great organizer. The interviewer admonishes him. I think Reed was obliquely referring to Andy Warhol, who once managed him as a musician.

Reed is a championed rock guitarist and singer who is seldom rivalled, given the influence of his personality. He is gone, but when I was in college, one long-haired, heavyset history teacher taught us a little about him, calling Reed “the godfather of punk.” In the library, I found a little book about subculture, music subculture in the nineteen seventies, and I put energy into understanding it.

Lou Reed’s New York

Because of the acclaim of The Velvet Underground, that was after they ceased making music together, as a group, songs of theirs began to be popular.

When in the year 1999 I went into the HMV store in New York City, the international chain of CD shops where you went if you wanted music, in the days when you bought music on physical media, the Velvets were well-advertised, as in giant letters in the store announcing, “The Velvet Underground.” You knew it was their town.

Years before I was born, Lou Reed had a Top 20 hit, contributing to the new popularity of both Reed, and, consequently, the Velvets. The most popular song by Reed is a song I first heard on FM radio, cruising the streets of my town, probably for no particular reason, or for no good reason.

Lou Reed a Life by Anthony DeCurtis

I didn’t know who that singer was, on the radio, until I heard the song again, as though it were still 1972, in some kind of Doctor Who-type parallel universe. I still didn’t know whom it was singing like that, but eventually, a friend of a friend listened to me describe the song, and he knew who it was, given a moment (between thought and reflection).

I was in a circle, then, being a kid in high school, dealing with pressures that are specific to what I think is most kids’ experience. It wasn’t vicious, by the way, just sayin’.

The song Vicious Circle could be about having social pressures, like specific patterns ingrained in you to run up against a wall. The song is less up-tempo than most of the songs on Rock and Roll Heart. I am not sure the better part of Reed’s listeners would embrace music like his, if they didn’t feel, at least from time to time, that the intrigue about the music was coming from a place touched by despair.

There are stories about Lou Reed, when he was the frontman of the Velvets, like that he played Woodstock in ’69, but nobody could hear the sound. I don’t think the Velvets did play Woodstock. They broke up amid tension.

The third and fourth of the Velvets’ records were more straightforward as rock albums than the first and second albums. I believe in 1968 they performed in Hamilton, Ontario, but if so, that was likely the Velvet Underground’s only show in Canada.

Lou Reed’s hit in 1972 includes the B-side Vicious (not Vicious Circle). Four years after that, after Reed was back to being a struggling songwriter, Reed with Vicious Circle was possibly pointing to his choice of making a livelihood as a rock singer, because Vicious Circle points to the song Vicious, and the 45 format itself is circular in shape, music being on vinyl discs, records. There is a hint of weariness in Vicious Circle.

There is a Bowie song, too, with the word circle in its title, and I know there’s a reference to him in the title of Vicious Circle in all likelihood.

Reed had a great sense of humour, I read in college, the Velvets’ drummer Moe Tucker remarking on that about Lou Reed.

Reed expounded on experience in his music, including thoughts about sex and culture. Reed did much of his very best music with the Velvets, who were John Cale, Sterling Morrison, Moe Tucker, and Doug Yule.

Everything Lou Reed did music-wise is very acceptable, I think. The Velvet Underground is a legendary band. Many an amateur rocker knows whom the Velvet Underground are, and get songs like What Goes On, and Sweet Jane, west coast surf type stuff.

I used to wonder what Reed intended for the fate of his music.

I think with Rock and Roll Heart Reed was trying his hand at again being a straightforward rock musician. I would venture to guess that he was a pretty hot musician, trying to move into AM Radio with the record Coney Island Baby, but had simultaneously conveyed the ability to fail with his 1975 noise opus Metal Machine Music.

Metal Machine Music sort of seems easier to take as an experimental ambient noise album, but I take it fans of the artist would have wanted more rock songs, not something altogether weird like Metal Machine Music. Wikipedia says, “In 1979 Reed said ‘Saying ‘I’m a Coney Island baby’ at the end of that song is like saying I haven’t backed off an inch. And don’t you forget it.'”

Photo by Emanuele Bresciani from StockSnap

Reed lived a long life, until October 27, 2013, passing away at the age of 71. When I was In college, I didn’t believe Reed’s image as a street-weary rock musician, compared to who he was. I don’t have any acquaintance with it all, however.

Thanks to Jim Adams for the December 20 word prompt circle.

https://www.facebook.com/findingenvirons

https://about.me/patrickcoholan

Vicious Circle https://www.youtube.com/watch?v=VfceMTlEq7s

You’re caught in a vicious circle
Surrounded by your so called friends
You’re caught in a vicious circle
And it looks like it will never end
‘Cause some people think that they like problems
And some people think that they don’t
And for everybody who says yes
There’s somebody who’s staring, saying don’t

You’re caught in a vicious circle
Surrounded by your so called friends
You’re caught in a vicious circle
And it looks like it will never end
‘Cause some people think that it’s nerves
And some people think that it’s not
And some people think that it’s things that you do
And others think that you were cold, when you were hot
They think that that is what it was about

You’re caught in a vicious circle …

Surrounded by all of your friends

Mermaid’s March 2019 WordPress Tea Party

The Little Mermaid is a site which entertains bloggers who bring together their thoughts on a theme suggested by the moderator.  These tea parties, the setting for discussion, began several months ago. The Little Mermaid is on a new site now, found at https://www.thelittlemermaid.site/tag/tea-party  For the tea party, March’s theme is fashion.

Personally, I am fashion-challenged, by which I mean I haven’t let fashion out of my bag.  I don’t have a memorable sense of fashion.

Aiming to define fashion reminds me, for example, of an Internet dating profile, where a user is invited to assess his sense of fashion in a field drawn from a list of narrow but conventional approaches.

Photographer:
Nordwood Themes

I wish I’d made the decision to dress better when I was younger.  If you don’t invest in yourself, how can you expect anyone else to?  In a media-hungry capitalist structure, it is important to be “cool” by wearing a wardrobe that both help you feel good about being seen in the street and identifies your lifestyle to people who speak with you.

I believe it’s important, and I would have liked to be more fashionable.

A rule for wear is that clothes must mostly fit.  This sounds obvious, but it isn’t necessarily easy to determine that clothes which cultivate a brand for you are far superior to dressing at random.

I am less interested in making an outfit look good than I am, I feel, non-discerning about social mores.  That’s how I haven’t let it out of my bag.

I do experience mild anxiety about looking shabby when I ought to be feeling fine, but something in my psychology prevents me from being able to coordinate a wardrobe.  That’s kind of funny, eh?

I hope you are not disappointed.  You are welcome to click “like,” to follow my blog, and/or to leave a comment.

The Little Mermaid’s tea parties provide inspiration and heighten my interest in others for who her tea parties are likewise attractive.